Tag Archives: Will Arnett

Missing the write stuff

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Will Arnett and Margo Martindale (dancing center)
Three fairly high-profile network series premiere tonight, two on NBC, one on CBS. All three have some amazing actors in their casts, and all three are criminally let down by their writers.
My hopes probably are highest for The Millers, premiering tonight on CBS in the coveted time slot following The Big Bang Theory, partly because this new comedy, which is filmed in front of a studio audience, is the brainchild of Greg Garcia, who recently has given us such winning shows as My Name Is Earl and Raising Hope.
The Millers is far more old-fashioned than either of those two quirky hits, though. Emmy winners Beau Bridges and Margo Martindale star as Tom and Carol Miller, a long-married and eternally bickering couple who decide to move in with their daughter, Debbie (Jayma Mays, Glee) after Tom inadvertently floods their basement. Again. Hardly have they arrived, however, before long-simmering resentments reach the boiling point and Tom and Carol decide to end their 43-year marriage, with her moving into the upscale home of their son, Nathan (Will Arnett), who’s currently working as a roving correspondent for a local TV station.
What Nathan, the golden boy of the family, hasn’t told his parents is that he and his wife (Eliza Coupe of Happy Endings in a recurring role) divorced three months ago. Carol initially is horrified by the news, but soon starts trying to resume her long-ago role as the most important woman in Nathan’s life, which means ignoring boundaries at every turn (she clips Nathan’s toenails while he’s asleep and discusses her and Tom’s sex life with upsetting explicitness).
This isn’t a bad set-up for a sitcom, but in tonight’s premiere episode, the jokes are mainly broad and fairly vulgar. Martindale has been on a career hot streak lately, recently scoring another Emmy nomination for her striking guest role in the FX thriller The Americans, but here she is reduced to an extended string of jokes about her character’s tendency to pass gas on a regular basis. Bridges’ role is even more one-note: See Tom fumbling with the coffee maker and microwave and appear perpetually confused by the household’s remote controls! Ha!
Garcia is a funny, funny man who writes brilliantly about dysfunctional families, so I’m hopeful he’s going to give his strong cast the kind of material they deserve in future episodes. Fingers crossed.
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The same thing goes for Sean Saves the World, Emmy winner Sean Hayes’ new NBC sitcom premiering tonight opposite CBS’s Robin Williams comedy The Crazy Ones, last week’s top-rated comedy premiere. Like The Millers, Sean Saves the World is filmed in front of a studio audience and has a strong cast, including sitcom veteran Linda Laviin (Alice) and Smash survivor Megan Hilty, as well as Reno 911! madman Thomas Lennon. Tonight’s premiere, however, feels tired and old-fashioned (Hayes also is an executive producer on the decidedly old-fashioned but frisky Hot in Cleveland).
In his new show, Hayes stars as a divorced gay dad who recently assumed fulltime custody of his teenage daughter, Ellie (Samantha Isler). Now that Sean’s former wife no longer is in the picture, his formidable mother, Lorna (Lavin), is trying to swoop in and fill the maternal vacancy, to the pronounced displeasure of Sean’s best friend, Liz (Hilty). Sean’s attempts to be the perfect dad, though, are compromised by his demanding new boss (Lennon), a smothering, hands-on type who wants his staff to have as little of a social life as he does.
The comedy pros in the cast make quite a few of the tired jokes in tonight’s premiere sound, if not fresh, at least less wilted, but it’s discouraging to see such a heavy reliance on uninspired slapstick in the very first episode. I like the show’s main quartet enough that I’ll be sticking around for awhile, but this cast deserves much better. That said, I do think my many colleagues who have put Sean Saves the World on their lists of the fall’s worst shows are going a little far. Sean won’t even save NBC, let alone the world, but it’s not a crime against nature.
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Nor is tonight’s other NBC premiere, Welcome to the Family, although it’s far and away the worst of the three. The lone single-camera (no laugh track) series among this trio, this sitcom stars the usually endearing Mike O’Malley (Glee) and, especially, Mary McCormack (In Plain Sight) as Dr. Dan and Caroline Yoder, who are enthusiastically looking forward to their imminent empty nest situation now that beautiful but dim daughter Molly (Ella Rae Peck) has defied all expectations and actually graduated from high school.
Plans to ship Molly off to a party school are derailed, however, when the Yoders discover that Molly is pregnant by a boyfriend they didn’t even know existed: Junior Hernandez (Joey Haro), a Stanford-bound Mathlete and class valedictorian. The pregnancy horrifies his proud father, Miguel (Ricardo Chavira, Desperate Housewives), especially after Miguel discovers that Molly’s dad is the jerk he clashed with that same morning at Miguel’s gym (in a contrived argument that’s only there so these two characters can hold a grudge against each other). Junior’s mom, Lisette (Justina Machado, Six Feet Under), like Caroline, tries to act as peacemaker in this volatile situation.
Anyone who has been watching TV for awhile will recognize the exhausted premise for this show, which stretches all the way back to the 1967-70 sitcom Bridget Loves Bernie, which was based in turn on a 1920s play called Abie’s Irish Rose. I wish I could report that Welcome to the Family reinvents that heavily diluted formula, but sadly, that’s not the case: The show just kind of plods along on its thrice-familiar path, dutifully ticking off scenes that we’ve seen so many times before. Even a fade-out “surprise” for Caroline at the end of tonight’s episode is something you’ll probably see coming a mile off.
I really want O’Malley and McCormack to figure out a way to turn this seemingly ill-fated vehicle around, but I don’t hold out a lot of hope. Unless the writers can come up with some fresh ideas and jokes, this Family won’t be overstaying its welcome.

A long-awaited ‘Development’

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Jason Bateman and Liza Minnelli
Seven years after Fox canceled the Emmy-winning and critically acclaimed sitcom Arrested Development, the battling Bluths are back in 15 new episodes, available for streaming starting today on Netflix.
The new episodes, which the service cheekily presents as “A Netflix Semi Original Series,” reunites all the original principal players from the show’s original 2003-06 run as well as bringing back several guest favorites (hello, Liza Minnelli as Lucille Two and Judy Greer as Kitty Sanchez!). This time around, though, series creator Mitch Hurwitz is less interested in telling a conventionally linear story than in filling us in on each individual member of the extended Bluth family, ideally to form a bridge toward an Arrested Development feature film he’s been envisioning for years.
With that in mind, each episode focuses on a single character, although other family members are, of course, tangentially involved. Obviously, that must have helped during production, since not all principles were required for every episode, and it doesn’t reduce the number of solid belly laughs per episode (each of which runs to close or over a full half hour, not the puny 21 minutes-plus currently afforded a sitcom on a commercial network).
Still, there’s a bit of a loss in not seeing all the Bluth-Funkes together more often. I didn’t actually realize that until episode three, when suddenly I caught myself grinning broadly at seeing Michael (Jason Bateman), George (Jeffrey Tambor), Lindsay (Portia de Rossi), Lucille (Jessica Walter), Gob (Will Arnett), Buster (Tony Hale) and Tobias (David Cross) all in a room together for the first time in these new episodes.
But then, Arrested Development never has followed the conventional sitcom rules. Where else could you learn that one of the principal female characters has fallen in love with an accidental member of Al-Qaeda who suffers from “face blindness” and runs an ostrich farm and think to yourself, “Yes, that sounds about right”? Or see a sexually ambiguous male character who has resolved to make a new start in his life do so by buying a new vanity plate for his car reading “ANUSTART”?
There are so many fresh surprises and brilliant jokes in these new episodes that I’ll leave fans to discover most of them on their own, but my heartfelt thanks to whoever had the inspired idea to hire Kristen Wiig and Seth Rogen to play the younger Lucille and George Bluth in recurring flashbacks, as well as 24 sweetheart Mary Lynn Rajskub as an “aura specialist” named Heartfire.
Waiter! More hot ham water, all around, on me!
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David Cross and Porta de Rossi