One of the big events of the fall TV season arrives tonight with the PBS premiere of The Hollow Crown, a Great Performances four-week miniseries featuring lavish adaptations of a quartet of Shakespeare’s most gripping history plays.
Cast with some of Great Britain’s finest classically trained actors, Crown chronicles the turbulent rise and fall of three English Kings – Richard II, Henry IV and Henry V – and how their reigns helped shape British history.
Tonight’s premiere features Richard II, a lesser-known play here in the States, but absolutely gripping in this film directed by Rupert Goold. Ben Whishaw, who played gadget guru Q in the James Bond blockbuster Skyfall, stars as the vain, capricious and self-centered monarch whose penchant for acting on spiteful whims is revealed almost immediately, as Richard is petitioned by a cousin, Henry Bolingbroke (Rory Kinnear), to settle a dispute with Thomas Mowbray (James Purefoy from Fox’s The Following).
Ultimately, Richard renders a judgment that pleases no one, banishing both men from the kingdom, although he rewards Henry’s past loyalty by sending him away for “only” six years. That’s more than enough, however, to break the heart of Henry’s elderly father, John of Gaunt (Patrick Stewart), who dies soon after his son departs. Wasting no time, Richard seizes the family’s property and possessions that are Henry’s birthright, then heads to Ireland to put down a rebel uprising.
In the king’s absence, a furious Henry defies his banishment, returning to reclaim his inheritance. With the heartfelt support of allies Northumberland (David Morrissey, The Walking Dead) and the Duke of York (David Suchet, Poirot), Henry readily takes Richard prisoner and lays claim to the throne as King Henry IV.
Whishaw, who won a BAFTA Award (the British Emmy) as best actor for his role, gives a fascinating performance as this rather effete and aloof monarch, a portrayal that is mildly off-putting in his early scenes, but builds in intensity and tragic stature as Richard’s destiny takes a series of appalling turns. At two and a half hours, Richard II is the longest of these films, yet it feels the shortest, because Goold keeps things moving at such a nice clip.
On Sept. 27, Henry IV, Part I finds a much older Henry, now played by Jeremy Irons, beset by myriad troubles as his reign moves into its twilight years. What really has him most worried, however, is that Prince Hal (Tom Hiddleston, The Avengers) is sowing his wild oats with a drunken old knight named Falstaff (Simon Russell Beale, who won the BAFTA as best supporting actor) at a tavern run by Mistress Quickly (Julie Walters) instead of dutifully preparing to assume the throne. In fact, Hal’s misbehavior is causing such a scandal that a challenger to the throne, Hotspur (Joe Armstrong), is having no trouble building a coalition of supporters.
With rebels threatening the succession, Hal ultimately returns to his father’s side, but not before one of the most unforgettable comic moments in the miniseries, as Hal makes fun of his father, giving Hiddleston an excuse to show off his absolutely pitch-perfect vocal impression of the great rumbling drawl Jeremy Irons seems to favor in most of his roles these days.
In Henry IV, Part II (Oct. 4), the king’s ministers step up their efforts to drive a wedge between Hal and Falstaff, and they get their wish after Hal overhears Falstaff belittling him and catches the boozy knight in a series of lies. After Henry IV dies, Falstaff is convinced his ship finally has come in, but he is in for a rude awakening as Hal ascends the throne as King Henry V. In both films, director Richard Eyre brings to vivid life the uproarious medieval messiness of Falstaff’s world, although every now and then a scene gets so busy that we lose track of the story.
The miniseries concludes on Oct. 11 with director Thea Sharrock’s moving treatment of Henry V, which previously was adapted into critically acclaimed feature films starring Laurence Olivier and Kenneth Branagh. Hiddleston continues in his regal role, looking every inch a king as Henry faces a series of challenges from the French monarch (Lambert Wilson). The first hour or so feels elegiac, including as it does the deaths of both Falstaff and his ne’er-do-well companion Bardolph (Tom Georgeson), but as events lead us inevitably to the high-stakes battle of Agincourt in France, the mood becomes more stirring. In the climactic moments, when Henry and his small, exhausted and bedraggled army must confront a well-rested French force five times its size, Hiddleston delivers his rallying speech to his troops thrillingly, while Sharrock frames the battle action in such a way as to make us believe there are far more soldiers on the battlefield than was actually the case.
Production values are absolutely top-notch, and the supporting cast also includes Michelle Dockery (Lady Mary from Downton Abbey), Maxine Peake and Tom Hughes of Silk, Clemence Poesy (Fleur from the Harry Potter films), Alun Armstrong (New Tricks), Lindsay Duncan (Rome) and Geoffrey Palmer (As Time Goes By), among many others. Needless to say, I highly recommend The Hollow Crown. Be careful, though, to check your local listings, because some PBS affiliates carry their own local programming on Friday nights and will schedule Crown in a different time period.
Julie Walters and Simon Russell Beale
The Vatican explodes with acts of treachery as The Borgias returns for its third season tonight on Showtime, joining a very crowded Sunday primetime lineup. The action picks up right where the second season finale left off, with Pope Alexander (Jeremy Irons) being poisoned by a young assassin dispatched by the pontiff’s nemesis, Della Rovere (Colm Feore). As Lucrezia (Holliday Grainger) desperately tries a little-known antidote to save her father’s life, Vanazzo (Joanne Whalley) confides to her son Cesare (Francois Arnaud) that she fears for the fate of the entire family if Alexander dies.
And her foreboding proves prescient, because as the hour unfolds and the pope’s life hangs in the balance, the three other members of the family find themselves (and Lucrezia’s infant son) assailed by a complex violent coup designed to eradicate the entire Borgia clan in Rome. To avoid spoilers, I won’t reveal who’s behind the mayhem, but for anyone who watched season two, the answer isn’t all that hard to figure out.
In other words, this new season finds the personal stakes seriously raised for all the main characters. When the dust settles, the surviving Borgias must fight for their safety in a new reality where some of the oldest and most important families in Rome regard them with barely veiled contempt. It’s a shrewd plot development for this historical soap opera, and despite the pomp and pageantry in which the series is wrapped, the storytelling is admirably lean and swiftly paced. The focal point of the show, of course, is Irons’ plummy-verging-on-high-camp performance as Pope Alexander, a highly mannered piece of work that sometimes goes totally over the top, yet he’s certainly never boring. Arnaud, a French-Canadian actor, is superb as Cesare, one of the most emotionally complex character threads in this huge tapestry, and Grainger is likewise very fine, especially in scenes that involve her, um, warm feelings for her brother. Even better, the spectacular Gina McKee is back this season as the terrifyingly formidable Catherine Sforza, who has several serious scores to settle with the Borgias.
If you haven’t sampled this series before, I strongly recommend you catch up on at least some of the previous episodes via any available media platform before trying to jump into season three unprepared, because understanding the dizzying intrigues, betrayals and double crosses is crucial to enjoying this show. If you’re a seasoned fan, though, by all means tune in tonight secure in the fact that The Borgias is in better shape than ever before.