Tag Archives: In Plain Sight

Lifetime’s campy coven: ‘Witches of East End’

Witches of East End

Madchen Amick, Rachel Boston, Julia Ormond and Jenna Dewan-Tatum (from left) in “Witches of East End”

The previews for Lifetime’s heavily promoted Witches of East End, which premieres tonight, emphasize the mystery and spookiness, but conceal one of this new series’ biggest selling points: It’s a big, juicy hoot.
Loosely based on a novel by Melissa de la Cruz, Witches stars Emmy winner Julia Ormond (Temple Grandin) as Joanna Beauchamp, an art teacher who lives quietly in the titular seaside village with her young adult daughters, bohemian bartender Freya (Jenna Dewan-Tatum, American Horror Story), and shy, down-to-Earth librarian Ingrid (Rachel Boston, In Plain Sight).
The story opens on the night of a party celebrating Freya’s engagement to local rich hunk Dash Gardiner (Eric Winter, GCB), who is both devoted and noble (he works for Doctors Without Borders). Freya is happy but a little distracted at the soiree, chiefly because she’s been having erotically charged dreams involving a dark, seductive stranger (Daniel DiTomasso). You don’t need a crystal ball to know this rates a very big “uh-oh.”
The real drama, however, is going on outside the gates to the Gardiner mansion, where a menacing doppelganger of Joanna violently attacks two of her neighbors. Joanna knows nothing of the incident until the next day when, without warning, her long-estranged sister, Wendy (Madchen Amick), shows up on her front porch to warn her that she has received visions of a terrible danger surrounding Joanna and the girls. Finally convinced, Joanna reluctantly realizes she has to tell Freya and Ingrid the truth: They are witches who have lived and died many times over the centuries. Unfortunately, that revelation may come too late to save one of the Beauchamp girls.
Witches of East End navigates its way deftly through these treacherous soapy waters very impressively during tonight’s first hour, thanks in no small part to a very well-cast ensemble. Ormond is charming yet suggests Joanna’s hidden strengths, and Amick very obviously relishes this chance to play the kooky but concerned aunt. As the younger generation, Dewan-Tatum and Boston do such a good job of making their characters grounded and specific that it becomes easier for us to ignore the fact that Freya and Ingrid are a little too transparently designed to be foils for each other. In fact, strictly on the basis of tonight’s pilot episode, I’m ready to declare Boston the show’s MVP. She has a lovely, accessible girl-next-door quality that keeps pulling us back in when the plot starts tilting toward the wildly improbable.
Witches of East End may not be high art, but it’s terrific entertainment, especially for this time of year. The Beauchamps probably are going to need a heap of magic to draw an audience on one of the most hotly competitive nights in primetime television, but I’m hoping Witches of East End will be around for a spell.
Witches of East End

Daniel DiTomasso, Jenna Dewan-Tatum and Eric Winter in “Witches of East End”

Missing the write stuff

Will Arnett and Margo Martindale (dancing center)
Three fairly high-profile network series premiere tonight, two on NBC, one on CBS. All three have some amazing actors in their casts, and all three are criminally let down by their writers.
My hopes probably are highest for The Millers, premiering tonight on CBS in the coveted time slot following The Big Bang Theory, partly because this new comedy, which is filmed in front of a studio audience, is the brainchild of Greg Garcia, who recently has given us such winning shows as My Name Is Earl and Raising Hope.
The Millers is far more old-fashioned than either of those two quirky hits, though. Emmy winners Beau Bridges and Margo Martindale star as Tom and Carol Miller, a long-married and eternally bickering couple who decide to move in with their daughter, Debbie (Jayma Mays, Glee) after Tom inadvertently floods their basement. Again. Hardly have they arrived, however, before long-simmering resentments reach the boiling point and Tom and Carol decide to end their 43-year marriage, with her moving into the upscale home of their son, Nathan (Will Arnett), who’s currently working as a roving correspondent for a local TV station.
What Nathan, the golden boy of the family, hasn’t told his parents is that he and his wife (Eliza Coupe of Happy Endings in a recurring role) divorced three months ago. Carol initially is horrified by the news, but soon starts trying to resume her long-ago role as the most important woman in Nathan’s life, which means ignoring boundaries at every turn (she clips Nathan’s toenails while he’s asleep and discusses her and Tom’s sex life with upsetting explicitness).
This isn’t a bad set-up for a sitcom, but in tonight’s premiere episode, the jokes are mainly broad and fairly vulgar. Martindale has been on a career hot streak lately, recently scoring another Emmy nomination for her striking guest role in the FX thriller The Americans, but here she is reduced to an extended string of jokes about her character’s tendency to pass gas on a regular basis. Bridges’ role is even more one-note: See Tom fumbling with the coffee maker and microwave and appear perpetually confused by the household’s remote controls! Ha!
Garcia is a funny, funny man who writes brilliantly about dysfunctional families, so I’m hopeful he’s going to give his strong cast the kind of material they deserve in future episodes. Fingers crossed.
The same thing goes for Sean Saves the World, Emmy winner Sean Hayes’ new NBC sitcom premiering tonight opposite CBS’s Robin Williams comedy The Crazy Ones, last week’s top-rated comedy premiere. Like The Millers, Sean Saves the World is filmed in front of a studio audience and has a strong cast, including sitcom veteran Linda Laviin (Alice) and Smash survivor Megan Hilty, as well as Reno 911! madman Thomas Lennon. Tonight’s premiere, however, feels tired and old-fashioned (Hayes also is an executive producer on the decidedly old-fashioned but frisky Hot in Cleveland).
In his new show, Hayes stars as a divorced gay dad who recently assumed fulltime custody of his teenage daughter, Ellie (Samantha Isler). Now that Sean’s former wife no longer is in the picture, his formidable mother, Lorna (Lavin), is trying to swoop in and fill the maternal vacancy, to the pronounced displeasure of Sean’s best friend, Liz (Hilty). Sean’s attempts to be the perfect dad, though, are compromised by his demanding new boss (Lennon), a smothering, hands-on type who wants his staff to have as little of a social life as he does.
The comedy pros in the cast make quite a few of the tired jokes in tonight’s premiere sound, if not fresh, at least less wilted, but it’s discouraging to see such a heavy reliance on uninspired slapstick in the very first episode. I like the show’s main quartet enough that I’ll be sticking around for awhile, but this cast deserves much better. That said, I do think my many colleagues who have put Sean Saves the World on their lists of the fall’s worst shows are going a little far. Sean won’t even save NBC, let alone the world, but it’s not a crime against nature.
Nor is tonight’s other NBC premiere, Welcome to the Family, although it’s far and away the worst of the three. The lone single-camera (no laugh track) series among this trio, this sitcom stars the usually endearing Mike O’Malley (Glee) and, especially, Mary McCormack (In Plain Sight) as Dr. Dan and Caroline Yoder, who are enthusiastically looking forward to their imminent empty nest situation now that beautiful but dim daughter Molly (Ella Rae Peck) has defied all expectations and actually graduated from high school.
Plans to ship Molly off to a party school are derailed, however, when the Yoders discover that Molly is pregnant by a boyfriend they didn’t even know existed: Junior Hernandez (Joey Haro), a Stanford-bound Mathlete and class valedictorian. The pregnancy horrifies his proud father, Miguel (Ricardo Chavira, Desperate Housewives), especially after Miguel discovers that Molly’s dad is the jerk he clashed with that same morning at Miguel’s gym (in a contrived argument that’s only there so these two characters can hold a grudge against each other). Junior’s mom, Lisette (Justina Machado, Six Feet Under), like Caroline, tries to act as peacemaker in this volatile situation.
Anyone who has been watching TV for awhile will recognize the exhausted premise for this show, which stretches all the way back to the 1967-70 sitcom Bridget Loves Bernie, which was based in turn on a 1920s play called Abie’s Irish Rose. I wish I could report that Welcome to the Family reinvents that heavily diluted formula, but sadly, that’s not the case: The show just kind of plods along on its thrice-familiar path, dutifully ticking off scenes that we’ve seen so many times before. Even a fade-out “surprise” for Caroline at the end of tonight’s episode is something you’ll probably see coming a mile off.
I really want O’Malley and McCormack to figure out a way to turn this seemingly ill-fated vehicle around, but I don’t hold out a lot of hope. Unless the writers can come up with some fresh ideas and jokes, this Family won’t be overstaying its welcome.